{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-07-03"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"Webzine"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/media/webzine"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/media/webzine"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"Webzine"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"Webzine","slug":"webzine","archive":[{"title":"탈중심을 가능케 하는 기타 등등의 상상력","slug":"daily-004","parentSlug":"archive","index":121,"date":"Jun 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"이하나","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"웹진 &lt;비유&gt; 71호","hasSrc":true},{"title":"Introduction to Speculation Editorial","slug":"sa-006","parentSlug":"archive","index":118,"date":"May 2025","media":[{"title":"Journal","slug":"journal"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Dave Beech, Anders Hultqvist & Valérie Pihet","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"PARSE","slug":"web-009","parentSlug":"archive","index":116,"date":"May 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Journal","slug":"journal"}],"credits":[],"featuredMedia":[],"shortNote":"Platform for Artistic Research Sweden","shortNoteKo":"","hasSrc":true},{"title":"Gatekeeping Without a Gate","slug":"etc-009","parentSlug":"archive","index":115,"date":"May 2025","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Webzine","slug":"webzine"},{"title":"Book","slug":"book"}],"credits":[{"name":"Steph Kretowicz","url":"https://stephkretowicz.com/","id":"0"}],"featuredMedia":[],"shortNote":"How to run an independent online publication without being too much of a «gatekeeper»?","shortNoteKo":"","hasSrc":true},{"title":"Typeroom","slug":"craft-016","parentSlug":"archive","index":109,"date":"Mar 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Weblink","slug":"weblink"}],"credits":[],"featuredMedia":[],"shortNote":"Online platform for the Typophile Generation.","shortNoteKo":"","hasSrc":true},{"title":"‘노이즈의 역설’이라는 사이비 역설에 관하여","slug":"etc-005","parentSlug":"archive","index":108,"date":"Mar 2025","media":[{"title":"Column","slug":"column"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"전대한","url":"https://www.weiv.co.kr/archives/author/dae421","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"노이즈가 노모스가 되어버렸다는 역설적인 진술은 곧장 하나의 물음을 제기한다. 노이즈가 표준적인 소리가 되었을 때, 노이즈는 더 이상 노이즈이기를 그치게 되는 것이 아닐까? (…)","hasSrc":true},{"title":"‘과잉의 감각을 재현하는’ 음악으로서의 하이퍼팝","slug":"etc-003","parentSlug":"archive","index":107,"date":"Mar 2025","media":[{"title":"Column","slug":"column"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"전대한","url":"https://www.weiv.co.kr/archives/author/dae421","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"6. 결론: ‘과잉의 감각을 재현하는’ 음악의 한 양태를 나타내는 분류어(sortal)로서의 하이퍼팝","hasSrc":true},{"title":"포킹룸 (Forkingroom)","slug":"web-012","parentSlug":"archive","index":106,"date":"Mar 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"강민형 ","url":"https://degitalarts.xyz/","id":"0"},{"name":"송수연 ","url":"https://en.unmakelab.org/","id":"1"},{"name":"최빛나 ","url":"https://en.unmakelab.org/","id":"2"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"예술-기술-사회의 접면에서 발생하는 현상에 관심을 두고&nbsp;리서치, 전시, 워크숍, 강연, 토크 등이 ​진행되는 일시적인 플랫폼&nbsp;","hasSrc":true},{"title":"AI 시대의 기억과 합성기억 만들기","slug":"newmedia-014","parentSlug":"archive","index":104,"date":"Feb 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"오영진","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"예술가는 어떻게 기억하는가?","hasSrc":true},{"title":"차일드 와치: 어린이만 볼 수 있는 미술","slug":"daily-002","parentSlug":"archive","index":100,"date":"Feb 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"조은비","url":"https://www.addingpages.com/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"웹진 &lt;비유&gt; 67호","hasSrc":true},{"title":"기후위기와 미학: 미적 가치의 역할에 대해서","slug":"posthumanism-012","parentSlug":"archive","index":99,"date":"Feb 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"임수영","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"‘아름다움’, ‘우아함’, ‘세련됨’, ‘풍미가 좋음’","hasSrc":true},{"title":"기계와 함께 창작하는 법","slug":"newmedia-009","parentSlug":"archive","index":98,"date":"Feb 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"오영진","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"“인공 지능 시대의 예술과 글쓰기”","hasSrc":true},{"title":"자주 하는 질문 : 코드로 쓰는 시, 하이퍼링크로 쓰는 소설","slug":"newmedia-011","parentSlug":"archive","index":97,"date":"Jan 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Interview","slug":"interview"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"민구홍","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"대관절 웹사이트란 무엇인가요?<br>민구홍 | 웹진 《비유》","hasSrc":true},{"title":"[서신교환] 한솔 × 비카 키르헨바우어 × ma-te-ri-al: 계급 말하기","slug":"daily-007","parentSlug":"archive","index":90,"date":"Dec 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Interview","slug":"interview"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"한솔, 비카 키르헨바우어","url":"","id":"0"},{"name":"박현(번역)","url":"","id":"1"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"마테리알 9호 - 오리무중","hasSrc":true},{"title":"Digital Objects and Metadata Schemes","slug":"newmedia-007","parentSlug":"archive","index":89,"date":"Dec 2024","media":[{"title":"Journal","slug":"journal"},{"title":"Webzine","slug":"webzine"},{"title":"Interview","slug":"interview"}],"credits":[{"name":"Geert Lovink","url":"https://www.e-flux.com/search?a[]=Geert%20Lovink","id":"0"}],"featuredMedia":[],"shortNote":"Issue #78","shortNoteKo":"","hasSrc":true},{"title":"Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future","slug":"etc-007","parentSlug":"archive","index":88,"date":"Dec 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"Matt Bluemink","url":"https://bluelabyrinths.com/author/blueminkblog/","id":"0"}],"featuredMedia":[],"shortNote":"Hauntology and the Ghosts of Lost Futures","shortNoteKo":"","hasSrc":true},{"title":"사변적 실재론의 물음: 철학의 실재와 과학의 실재는 동일한가?","slug":"sa-008","parentSlug":"archive","index":86,"date":"Nov 2024","media":[{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"김남이","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"기술적 특이점 vs. 도교적 로봇","slug":"posthumanism-004","parentSlug":"archive","index":85,"date":"Nov 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Interview","slug":"interview"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"코스모테크닉스(cosmotechnics), 동양과 서양","hasSrc":true},{"title":"떠오르는 마음 (Minds Rising Spirits Tuning)","slug":"web-016","parentSlug":"archive","index":84,"date":"Nov 2024","media":[{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Remco van Bladel","url":"","id":"0"},{"name":"Studio RGB","url":"https://studiorgb.be/","id":"1"},{"name":"탁영준","url":"","id":"2"}],"featuredMedia":[],"shortNote":"Bimonthly No.01 - Bimonthly No.05","shortNoteKo":"격월간 01호 - 격월간 05호","hasSrc":true},{"title":"Pop Junctions","slug":"web-020","parentSlug":"archive","index":78,"date":"Nov 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"Henry Jenkins","url":"","id":"0"}],"featuredMedia":[],"shortNote":"Reflections on Entertainment, Pop Culture, Activism, Media Literacy, Fandom and More","shortNoteKo":"","hasSrc":true},{"title":"Cybernetic Discourse Analysis: “Mother Was an AI”","slug":"newmedia-006","parentSlug":"archive","index":73,"date":"Oct 2024","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Giorgi Vachnadze","url":"https://bluelabyrinths.com/author/gvachnadze/","id":"0"}],"featuredMedia":[],"shortNote":"This is an edited excerpt from Giorgi Vachnadze’s book Christian Eschatology of Artificial Intelligence published by Becoming Press.","shortNoteKo":"","hasSrc":true},{"title":"건축과 신유물론: 이론적 지형도","slug":"sa-014","parentSlug":"archive","index":60,"date":"Jul 2024","media":[{"title":"Journal","slug":"journal"},{"title":"Webzine","slug":"webzine"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"백승한","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"비인간, 포스트휴머니즘, 정동 이론, 인류세, 생기론, 행위자-연결망 이론, 행위적 실재론, 객체 지향 존재론, 사변적 실재론","hasSrc":true},{"title":"생태적지혜연구소","slug":"web-015","parentSlug":"archive","index":55,"date":"Jun 2024","media":[{"title":"Webzine","slug":"webzine"}],"credits":[],"featuredMedia":[],"shortNote":"Ecosophia Lab","shortNoteKo":"인문학연구공간 《철학공방 별난》을 모태로 한 협동조합연구소","hasSrc":true},{"title":"Tradeswomen Was the Magazine for Women in Blue-Collar Work During the ’80s and ’90s","slug":"history-003","parentSlug":"archive","index":50,"date":"Jun 2024","media":[{"title":"Column","slug":"column"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Milly Burroughs","url":"","id":"0"}],"featuredMedia":[],"shortNote":"And it became an integral tool for organizing in a landscape of sexist gatekeeping&nbsp;","shortNoteKo":"","hasSrc":true},{"title":"동시대 미술이 미디어아트를 배치하는 법","slug":"newmedia-015","parentSlug":"archive","index":47,"date":"May 2024","media":[{"title":"Column","slug":"column"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"황재민","url":"","id":"0"}],"featuredMedia":[],"shortNote":"Issue 8, ma-te-ri-al","shortNoteKo":"마테리알 8호","hasSrc":true},{"title":"포스트모던 디자인의 폐허 2","slug":"craft-007","parentSlug":"archive","index":42,"date":"Apr 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"임근준 Geun-jun Lim","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"‘냉전 시대의 포스트모더니즘은 비평적 의문과 전복의 제스처를 통해 무엇을 성취했는가?’","hasSrc":true},{"title":"포스트모던 디자인의 폐허 1","slug":"craft-006","parentSlug":"archive","index":41,"date":"Apr 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"임근준 Geun-jun Lim","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"‘냉전 시대의 포스트모더니즘은 비평적 의문과 전복의 제스처를 통해 무엇을 성취했는가?’","hasSrc":true},{"title":"디스토피아, 절멸의 상상력과 페미니즘","slug":"posthumanism-015","parentSlug":"archive","index":40,"date":"Mar 2024","media":[{"title":"Column","slug":"column"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"이정현","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"랑과 나의 사막, 천선란","hasSrc":true},{"title":"SF와 ‘여성-되기’","slug":"posthumanism-013","parentSlug":"archive","index":38,"date":"Mar 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"김은주","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"조안나 러스와 더불어, 메리 셸리 그리고 「블러드 차일드」","hasSrc":true},{"title":"더미덤피이미지 (dummydumpyimage)","slug":"web-013","parentSlug":"archive","index":37,"date":"Mar 2024","media":[{"title":"Webzine","slug":"webzine"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"사진 매체를 중심으로 한 비정기 웹진","hasSrc":true},{"title":"Afterall","slug":"web-018","parentSlug":"archive","index":36,"date":"Feb 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Journal","slug":"journal"}],"credits":[{"name":"Charles Esche","url":"","id":"0"},{"name":"Mark Lewis","url":"","id":"1"}],"featuredMedia":[{"content":{"image":[]},"id":"034056e2-9809-466b-ae92-08afeeaf367a","isHidden":false,"type":"image"}],"shortNote":"Afterall Research Centre is based in Central Saint Martins, University of the Arts London","shortNoteKo":"","hasSrc":true},{"title":"버라드의 행위실재론: 수행성에서 내부작용으로","slug":"posthumanism-010","parentSlug":"archive","index":35,"date":"Feb 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"홍찬숙","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"Various Critics (알 수 없는 평론가들)","slug":"web-019","parentSlug":"archive","index":27,"date":"Oct 2023","media":[{"title":"Blog post","slug":"blog-post"},{"title":"Webzine","slug":"webzine"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"여러 비평가들이 여러 음악에 대한 다양한 글을 작성합니다.","hasSrc":true},{"title":"육후이의 ｢우리 후의 료타르｣ -시스템 이론 직전까지-","slug":"newmedia-013","parentSlug":"archive","index":26,"date":"Sep 2023","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"박성관(독립연구자, <중동태의 세계> 역자)","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"“Wrap facts in fictions, and fictions in facts”","slug":"design-004","parentSlug":"archive","index":24,"date":"Sep 2023","media":[{"title":"Weblink","slug":"weblink"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Billie Muraben","url":"https://www.itsnicethat.com/authors/billie-muraben","id":"0"}],"featuredMedia":[],"shortNote":"Metahaven on its ICA show, Version History","shortNoteKo":"","hasSrc":true},{"title":"그래서 누가 살아남았나? 옥타비아 버틀러와 듀나의 SF 공생체들","slug":"posthumanism-001","parentSlug":"archive","index":19,"date":"Jun 2023","media":[{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Webzine Seminar","url":"http://www.zineseminar.com/wp/","id":"0"}],"featuredMedia":[],"shortNote":"\"An enemy, in Karhide, is not a stranger, an invader. The stranger who comes unknown is a guest. Your enemy is your neighbor.\" <br>-Ursula Le Guin,『The Left Hand of Darkness","shortNoteKo":"","hasSrc":true},{"title":"What is Metahaven?","slug":"design-002","parentSlug":"archive","index":17,"date":"Jun 2023","media":[{"title":"Weblink","slug":"weblink"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Sarah Hromack","url":"https://www.frieze.com/contributor/sarah-hromack","id":"0"}],"featuredMedia":[],"shortNote":"Sarah Hromack unpacks the work of the Dutch design studio","shortNoteKo":"","hasSrc":true},{"title":"The Great Silence","slug":"posthumanism-016","parentSlug":"archive","index":16,"date":"May 2023","media":[{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Allora & Calzadilla & Ted Chiang","url":"","id":"0"}],"featuredMedia":[],"shortNote":"Planetary Computing (Is the Universe Actually a Gigantic Computer?)","shortNoteKo":"","hasSrc":true},{"title":"INVERSE UNIVERSE","slug":"posthumanism-002","parentSlug":"archive","index":13,"date":"Apr 2023","media":[{"title":"Webzine","slug":"webzine"}],"credits":[],"featuredMedia":[],"shortNote":"Issue 01","shortNoteKo":"여성적 픽션","hasSrc":true}]}