{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-07-27"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"Gatekeeping Without a Gate"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/etc-009"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/etc-009"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"Gatekeeping Without a Gate"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"Gatekeeping Without a Gate","slug":"etc-009","parentSlug":"archive","index":115,"date":"12 May 2025, 21:05","media":[{"title":"Opinion Essay","slug":"essay","parentSlug":"media"},{"title":"Webzine","slug":"webzine","parentSlug":"media"},{"title":"Book","slug":"book","parentSlug":"media"}],"collections":[{"title":"Junction-02, etc.","slug":"junction-02","parentSlug":"collections"}],"languages":[{"title":"English","slug":"english","parentSlug":"languages"}],"credits":[{"name":"Steph Kretowicz","url":"https://stephkretowicz.com/","id":"0"}],"source":"https://norient.com/steph-kretowicz/gatekeeping-without-gate","pageBuilder":[{"content":{"contentlayout":[{"attrs":[],"columns":[{"blocks":[{"content":{"level":"h3","text":"How to run an independent online publication without being too much of a «gatekeeper»? Read a personal essay by the editor and co-founder of <em>AQNB</em> about its struggle to archive a depicted scene by entering a cycle of mutual influence rather than (mis-)using curatorial power to make top-down statements.","color":"primary"},"id":"cc2ad62b-7489-429f-acdd-9367db6f52e6","isHidden":false,"type":"heading"}],"id":"fa472073-2c90-462c-bf02-6b6466a55fb9","width":"1/1"}],"id":"2918e3dc-b32f-4ac4-800c-4f261c2ef690"}]},"id":"38cad961-6e2b-4cc0-abeb-71b0f2d51822","isHidden":false,"type":"contentLayout"},{"content":{"note":"<p>What happens to curatorial practices when treated as multi-voiced, pluralistic, and process-based? <em>Politics of Curatorship: Collective and Affective Interventions </em>asks what curatorship could be when it is freed from its elitist notions. It gathers essays, academic articles, poems, interviews, and photo essays from 33 contributors from all over the world. Together, they seek to open up the term from a linear and often single-voiced method, offering to understand curating also as a queer, non-binary, or a mundane, individual activity that includes one’s own experiences and perceptions. On the occasion of Norient’s 20th anniversary, we attempt to disentangle the term curatorship from the received definition as a mere selecting process within the creative realm. <a href=\"#footnote1\" id=\"footnote1-reference\" class=\"footnote-button\">1</a> </p>","noteko":"","citations":[{"index":1,"link":"https://norient.com/books/politics-of-curatorship","text":"Politics of Curatorship: Collective and Affective Interventions","textko":""}]},"id":"053e08a8-2c73-4a84-81a7-3c31b088ec5e","isHidden":false,"type":"notes"}],"related":[]}