{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-07-27"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"Design as Protest"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/design-013"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/design-013"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"Design as Protest"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"Design as Protest","slug":"design-013","parentSlug":"archive","index":48,"date":"23 May 2024, 10:05","media":[{"title":"Opinion Essay","slug":"essay","parentSlug":"media"},{"title":"Weblink","slug":"weblink","parentSlug":"media"}],"collections":[{"title":"Contemporary Design","slug":"critical-design","parentSlug":"collections"}],"languages":[{"title":"English","slug":"english","parentSlug":"languages"}],"credits":[{"name":"Alice Bucknell","url":"https://alicebucknell.com/","id":"0"}],"source":"https://www.gsd.harvard.edu/2020/06/design-as-protest-how-can-designers-stand-for-fight-for-and-build-an-anti-racist-future/","pageBuilder":[{"content":{"note":"<p><strong>Design As Protest’s Nine Design Justice Demands:</strong></p><p>1. That our cities and towns reallocate funds supporting police departments and reinvest in the critical needs of disinherited neighborhoods and communities.</p><p>2. A cease to all efforts to implement defensible space and (CPTED) crime prevention through environmental design tactics.</p><p>3. We cease support of the carceral state through the design of prisons, jails, and police stations.</p><p>4. We cease the use of area mean income to determine “affordability” in our communities and instead root the distribution of state and federal resources in a measure that reflects the extraction of generational wealth from black communities.</p><p>5. We advocate for policies and procedures that support a genuinely accessible public realm free from embedded oppression.</p><p>6. We ensure communities’ self-determination through an established procedure that incorporates community voice-in-progress and community benefits agreements in action for all publicly accountable projects.</p><p>7. We detangle our contractual relationships with power and capital to better serve neighborhoods and communities from a position of service and not from a place of extraction.</p><p>8. We invest and secure the place-keeping of black cultural spaces.</p><p>9. We proactively redesign our design training and licensing efforts to reflect the history of spatial injustice and build new measures to ground our work in service of liberating spaces.</p>","noteko":"","citations":[]},"id":"348efe0f-5865-46ec-b219-12ebf4b0e828","isHidden":false,"type":"notes"}],"related":[]}