{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-07-27"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"Disquieting Histories"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/craft-017"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/craft-017"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"Disquieting Histories"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"Disquieting Histories","slug":"craft-017","parentSlug":"archive","index":117,"date":"15 May 2025, 11:05","media":[{"title":"Journal","slug":"journal","parentSlug":"media"},{"title":"Weblink","slug":"weblink","parentSlug":"media"},{"title":"★","slug":"bookmark","parentSlug":"media"}],"collections":[{"title":"Design History","slug":"design-history","parentSlug":"collections"},{"title":"Digital Image Aesthetics","slug":"digital-image-aesthetics","parentSlug":"collections"}],"languages":[{"title":"English","slug":"english","parentSlug":"languages"}],"credits":[{"name":"Alice Twemlow","url":"https://alicetwemlow.com/","id":"0"}],"source":"https://alicetwemlow.com/disquieting-histories-notes-on-silence-in-the-graphic-design-archive/","pageBuilder":[{"content":{"note":"<p>[Excerpt]<br><strong>With reference to Saidiya Hartman’s notion of critical fabulation and Rolando Vázquez’s advocacy for practices of listening and relationality, the project wants to posit a range of ways in which the design historian, as the intended consumer of an archive, might critically intervene in its mechanisms of collection and description, and thereby participate in the collective effort to unsettle some of the normative assumptions that have accreted around the archive.<br></strong>.<br>.<br>.<strong><br>Part One: </strong>Putting the History, Theory and Sociology of Visual Culture and Graphic Design in the University<strong><br>Part Two: </strong>Disquieting Histories of the Graphic Design Archive<br><strong>Part Three: </strong>Tools and Tactics<br><br></p>","noteko":"","citations":[]},"id":"5c533689-217b-44f4-9ed9-4c6b570a4891","isHidden":false,"type":"notes"}],"related":[]}