{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-10-24"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"Contemporary Design"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/collections/critical-design"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/collections/critical-design"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"Contemporary Design"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"Contemporary Design","slug":"critical-design","archive":[{"title":"Super Storm","slug":"design-029","parentSlug":"archive","index":122,"date":"Jul 2025","media":[{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"신인아, 오늘의 풍경","url":"https://brunch.co.kr/@sceneryoftoday","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"슈퍼스톰","hasSrc":true},{"title":"Who can afford to be critical?","slug":"design-030","parentSlug":"archive","index":119,"date":"May 2025","media":[{"title":"Weblink","slug":"weblink"},{"title":"Book","slug":"book"}],"credits":[{"name":"Afonso de Matos","url":"https://afonsodematos.com/","id":"0"}],"featuredMedia":[],"shortNote":"An inquiry into what we can’t do alone, as designers, and into what we might be able to do together, as people","shortNoteKo":"","hasSrc":true},{"title":"[제 2장] 예술 노동 - 4. 아무튼, 그래픽 디자인.","slug":"design-023","parentSlug":"archive","index":114,"date":"May 2025","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Blog post","slug":"blog-post"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"2ml","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"생성형 AI에게 엿되는 중인 창작민들을 위한 안내서&nbsp;","hasSrc":true},{"title":"[2025년 2월호] 단골 식당의 함정","slug":"design-011","parentSlug":"archive","index":113,"date":"May 2025","media":[{"title":"Blog post","slug":"blog-post"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"유현선 ","url":"https://www.instagram.com/sun.you.kr/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"[이슈: 탄핵 이후] 말에 얹혀지는 것이 아니라 말과 함께 움직이기","slug":"design-025","parentSlug":"archive","index":112,"date":"Apr 2025","media":[{"title":"Blog post","slug":"blog-post"},{"title":"Opinion Essay","slug":"essay"}],"credits":[{"name":"김소미 ","url":"https://somsome.notion.site/Kim-somi-dc7af22476a14d79973019f7477efd6a","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"결과물을 만드는 일에 머무르지 않고","hasSrc":true},{"title":"한 명의 디자이너가 해방되려면 온 세계가 필요하다","slug":"design-026","parentSlug":"archive","index":111,"date":"Apr 2025","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"신인아, 백희원","url":"https://sceneryoftoday.kr/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"디자이너의 사회적 참여","hasSrc":true},{"title":"Deconstruction and Graphic Design","slug":"design-022","parentSlug":"archive","index":105,"date":"Mar 2025","media":[{"title":"Journal","slug":"journal"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"Elen Lupton","url":"https://ellenlupton.com/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"An Interview with Metahaven","slug":"design-003","parentSlug":"archive","index":96,"date":"Jan 2025","media":[{"title":"Weblink","slug":"weblink"},{"title":"Interview","slug":"interview"}],"credits":[{"name":"Giampaolo Bianconi","url":"https://rhizome.org/profile/Giampaolo_Bianconi/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"Bioregional Design Practices","slug":"design-014","parentSlug":"archive","index":93,"date":"Jan 2025","media":[{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"Atelier LUMA","url":"https://www.luma.org/en/arles/atelierluma.html","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"A Conversation with Daniel van der Velden of Metahaven","slug":"design-005","parentSlug":"archive","index":92,"date":"Dec 2024","media":[{"title":"Weblink","slug":"weblink"},{"title":"Interview","slug":"interview"},{"title":"Video","slug":"video"}],"credits":[{"name":"William Drenttel","url":"https://designobserver.com/authors/william-drenttel/","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"Perspective: With Cheryl D. Miller, MS Communications Design ’85","slug":"design-019","parentSlug":"archive","index":91,"date":"Dec 2024","media":[{"title":"Weblink","slug":"weblink"},{"title":"Interview","slug":"interview"}],"credits":[],"featuredMedia":[],"shortNote":"Black Designers: Missing in Action","shortNoteKo":"","hasSrc":true},{"title":"두 유 노우 K-그래픽 디자인?","slug":"design-024","parentSlug":"archive","index":79,"date":"Nov 2024","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Blog post","slug":"blog-post"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"신인아","url":"https://brunch.co.kr/@sceneryoftoday","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"'토속'도 '외국물'도 아닌 어떤 빼어남을 찾아서","hasSrc":true},{"title":"*새로운* 그래픽 디자인 교육 과정","slug":"design-009","parentSlug":"archive","index":77,"date":"Oct 2024","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"David Reinfurt","url":"http://davidreinfurt.com/","id":"0"},{"name":"민구홍","url":"https://minguhong.fyi/","id":"1"}],"featuredMedia":[],"shortNote":"A *NEW* PROGRAM FOR GRAPHIC DESIGN","shortNoteKo":"","hasSrc":true},{"title":"The Killing of Harith Augustus: Milliseconds","slug":"design-016","parentSlug":"archive","index":72,"date":"Oct 2024","media":[{"title":"Video","slug":"video"}],"credits":[],"featuredMedia":[],"shortNote":"© Forensic Architecture 2019","shortNoteKo":"","hasSrc":true},{"title":"디자인 이론 스터디 2기","slug":"design-010","parentSlug":"archive","index":69,"date":"Sep 2024","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Weblink","slug":"weblink"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"디자인 이론 스터디 – 변혁정의로서 디자인 실천 모색하기","hasSrc":true},{"title":"소규모 스튜디오와 그래픽디자인 문법의 메타-미학화 2","slug":"design-028","parentSlug":"archive","index":66,"date":"Aug 2024","media":[{"title":"Weblink","slug":"weblink"},{"title":"Column","slug":"column"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"임근준 Geun-jun Lim","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"소규모 스튜디오와 그래픽디자인 문법의 메타-미학화 1","slug":"design-027","parentSlug":"archive","index":65,"date":"Aug 2024","media":[{"title":"Weblink","slug":"weblink"},{"title":"Column","slug":"column"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"임근준 Geun-jun Lim","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"공예는 동사다","slug":"craft-012","parentSlug":"archive","index":64,"date":"Aug 2024","media":[{"title":"Column","slug":"column"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"안영주","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"공예는 명사이자 동사다. 동사로서 공예는 가변적이며 능동적이다.","hasSrc":true},{"title":"Extra Bold","slug":"design-021","parentSlug":"archive","index":58,"date":"Jul 2024","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"},{"title":"Interview","slug":"interview"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"Pratt","url":"https://www.pratt.edu/","id":"0"}],"featuredMedia":[],"shortNote":"Farah Kafei and Valentina Vergara","shortNoteKo":"","hasSrc":true},{"title":"Demystifying Tacit Knowledge in Graphic Design","slug":"design-012","parentSlug":"archive","index":49,"date":"May 2024","media":[{"title":"Weblink","slug":"weblink"},{"title":"Journal","slug":"journal"}],"credits":[{"name":"Kihoon Son","url":"https://orcid.org/0000-0001-7224-2947","id":"0"},{"name":"DaEun Choi","url":"https://orcid.org/0000-0002-4843-0486","id":"1"},{"name":"Tae Soo Kim","url":"https://orcid.org/0000-0001-9078-6032","id":"2"},{"name":"Juho Kim","url":"https://orcid.org/0000-0001-6348-4127","id":"3"}],"featuredMedia":[],"shortNote":"Characteristics, Instances, Approaches, and Guidelines","shortNoteKo":"","hasSrc":true},{"title":"Design as Protest","slug":"design-013","parentSlug":"archive","index":48,"date":"May 2024","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"Alice Bucknell","url":"https://alicebucknell.com/","id":"0"}],"featuredMedia":[],"shortNote":"How can designers stand for, fight for, and build an anti-racist future?","shortNoteKo":"","hasSrc":true},{"title":"Beyond Speculative Design","slug":"design-018","parentSlug":"archive","index":45,"date":"May 2024","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"SpeculativeEdu","url":"https://speculativeedu.eu/about/","id":"0"}],"featuredMedia":[],"shortNote":"Past – Present – Future (THE BOOK)","shortNoteKo":"","hasSrc":true},{"title":"Are Friends Electric?","slug":"design-017","parentSlug":"archive","index":44,"date":"May 2024","media":[{"title":"Opinion Essay","slug":"essay"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"Emily King","url":"https://www.frieze.com/contributor/emily-king","id":"0"}],"featuredMedia":[{"content":{"image":[]},"id":"e5e3a593-d578-418b-b01c-ff756fb95546","isHidden":false,"type":"image"}],"shortNote":"Design Noir: The Secret Life of Electronic Objects","shortNoteKo":"","hasSrc":true},{"title":"Speculative Everything","slug":"design-001","parentSlug":"archive","index":43,"date":"May 2024","media":[{"title":"Book","slug":"book"},{"title":"Video","slug":"video"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"Dunne and Raby","url":"https://dunneandraby.co.uk/","id":"0"}],"featuredMedia":[],"shortNote":"Speculative Everything: Design, Fiction, and Social Dreaming","shortNoteKo":"스페큘러티브 디자인: 모든 것을 사변하기","hasSrc":false},{"title":"“Wrap facts in fictions, and fictions in facts”","slug":"design-004","parentSlug":"archive","index":24,"date":"Sep 2023","media":[{"title":"Weblink","slug":"weblink"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Billie Muraben","url":"https://www.itsnicethat.com/authors/billie-muraben","id":"0"}],"featuredMedia":[],"shortNote":"Metahaven on its ICA show, Version History","shortNoteKo":"","hasSrc":true},{"title":"What is Metahaven?","slug":"design-002","parentSlug":"archive","index":17,"date":"Jun 2023","media":[{"title":"Weblink","slug":"weblink"},{"title":"Webzine","slug":"webzine"}],"credits":[{"name":"Sarah Hromack","url":"https://www.frieze.com/contributor/sarah-hromack","id":"0"}],"featuredMedia":[],"shortNote":"Sarah Hromack unpacks the work of the Dutch design studio","shortNoteKo":"","hasSrc":true},{"title":"그래픽 디자인, 2005~2015, 서울 Graphic Design,2005~2015,Seoul","slug":"design-006","parentSlug":"archive","index":11,"date":"Mar 2023","media":[{"title":"Weblink","slug":"weblink"}],"credits":[],"featuredMedia":[],"shortNote":"2016.03.25.(Fri) ─ 2016.05.29.(Sun)","shortNoteKo":"","hasSrc":true},{"title":"디자인이 태도가 될 때","slug":"design-007","parentSlug":"archive","index":5,"date":"Feb 2023","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true},{"title":"GRAPHIC #17: 디자인이 태도가 될 때","slug":"design-008","parentSlug":"archive","index":4,"date":"Feb 2023","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"}],"credits":[],"featuredMedia":[],"shortNote":"","shortNoteKo":"","hasSrc":true}]}