{"seo":[{"tag":"title","attributes":null,"content":{"value":"Li-An Hong - Assemblygrid"}},{"tag":"meta","attributes":{"name":"description","content":{"value":"Assemblygrid, run by Multidisciplinary Designer, Li-An Hong, frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice."}},"content":null},{"tag":"meta","attributes":{"name":"date","content":"2025-07-27"},"content":null},{"tag":"meta","attributes":{"property":"og:title","content":{"value":"System & Society"}},"content":null},{"tag":"meta","attributes":{"property":"og:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"property":"og:site_name","content":{"value":"Assemblygrid"}},"content":null},{"tag":"meta","attributes":{"property":"og:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null},{"tag":"meta","attributes":{"property":"og:image:width","content":1200},"content":null},{"tag":"meta","attributes":{"property":"og:image:height","content":630},"content":null},{"tag":"meta","attributes":{"property":"og:type","content":{"value":"website"}},"content":null},{"tag":"meta","attributes":{"name":"robots","content":"all"},"content":null},{"tag":"link","attributes":{"rel":"canonical","href":"https://cms.assemblygrid.com/archive/collections/consumption-capitalism"},"content":null},{"tag":"meta","attributes":{"property":"og:url","content":"https://cms.assemblygrid.com/archive/collections/consumption-capitalism"},"content":null},{"tag":"meta","attributes":{"name":"twitter:card","content":{"value":"summary"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:title","content":{"value":"System & Society"}},"content":null},{"tag":"meta","attributes":{"name":"twitter:description","content":{"value":"Assemblygrid frames graphic media as acts of creation and question, assembling multiple layers within shifting grids of context, meaning, and practice. Run by Li-An Hong."}},"content":null},{"tag":"meta","attributes":{"name":"twitter:image","content":"https://cms.assemblygrid.com/media/site/0ea050a8a7-1754051913/og_image_02-1200x630-crop.jpg"},"content":null}],"title":"System & Society","slug":"consumption-capitalism","archive":[{"title":"포킹룸 (Forkingroom)","slug":"web-012","parentSlug":"archive","index":106,"date":"Mar 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"강민형 ","url":"https://degitalarts.xyz/","id":"0"},{"name":"송수연 ","url":"https://en.unmakelab.org/","id":"1"},{"name":"최빛나 ","url":"https://en.unmakelab.org/","id":"2"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"예술-기술-사회의 접면에서 발생하는 현상에 관심을 두고&nbsp;리서치, 전시, 워크숍, 강연, 토크 등이 ​진행되는 일시적인 플랫폼&nbsp;","hasSrc":true},{"title":"기후위기와 미학: 미적 가치의 역할에 대해서","slug":"posthumanism-012","parentSlug":"archive","index":99,"date":"Feb 2025","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"임수영","url":"","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"‘아름다움’, ‘우아함’, ‘세련됨’, ‘풍미가 좋음’","hasSrc":true},{"title":"Digital Objects and Metadata Schemes","slug":"newmedia-007","parentSlug":"archive","index":89,"date":"Dec 2024","media":[{"title":"Journal","slug":"journal"},{"title":"Webzine","slug":"webzine"},{"title":"Interview","slug":"interview"}],"credits":[{"name":"Geert Lovink","url":"https://www.e-flux.com/search?a[]=Geert%20Lovink","id":"0"}],"featuredMedia":[],"shortNote":"Issue #78","shortNoteKo":"","hasSrc":true},{"title":"Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future","slug":"etc-007","parentSlug":"archive","index":88,"date":"Dec 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Column","slug":"column"}],"credits":[{"name":"Matt Bluemink","url":"https://bluelabyrinths.com/author/blueminkblog/","id":"0"}],"featuredMedia":[],"shortNote":"Hauntology and the Ghosts of Lost Futures","shortNoteKo":"","hasSrc":true},{"title":"Pop Junctions","slug":"web-020","parentSlug":"archive","index":78,"date":"Nov 2024","media":[{"title":"Webzine","slug":"webzine"},{"title":"Opinion Essay","slug":"essay"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"Henry Jenkins","url":"","id":"0"}],"featuredMedia":[],"shortNote":"Reflections on Entertainment, Pop Culture, Activism, Media Literacy, Fandom and More","shortNoteKo":"","hasSrc":true},{"title":"댄스 플로어의 아도르노와 제임슨","slug":"etc-002","parentSlug":"archive","index":76,"date":"Oct 2024","media":[{"title":"Blog post","slug":"blog-post"},{"title":"Journal","slug":"journal"}],"credits":[{"name":"chillingorilla","url":"https://m.blog.naver.com/PostList.naver?blogId=chillingorilla&tab=1","id":"0"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"문화 산업 비판에 맞선 미니멀 테크노 by Jun Zubillaga-Pow","hasSrc":true},{"title":"디자인과 미술: 1945년 이후의 관계와 실천","slug":"craft-009","parentSlug":"archive","index":61,"date":"Aug 2024","media":[{"title":"Book","slug":"book"},{"title":"Weblink","slug":"weblink"}],"credits":[{"name":"Alex Coles","url":"","id":"0"},{"name":"장문정","url":"","id":"1"},{"name":"박활성","url":"","id":"2"}],"featuredMedia":[],"shortNote":"","shortNoteKo":"미술과 디자인이라는 이분법적 사고를 넘어 그들의 접점이 향하는 끝은 어디인가","hasSrc":true},{"title":"펄프: 사라진 미래의 신봉자들","slug":"etc-004","parentSlug":"archive","index":57,"date":"Jul 2024","media":[{"title":"Blog post","slug":"blog-post"},{"title":"Column","slug":"column"}],"credits":[{"name":"이엔씨(유진)","url":"https://blog.naver.com/mjkyj0102","id":"0"}],"featuredMedia":[],"shortNote":"Various Critics, Vol. 1","shortNoteKo":"","hasSrc":true},{"title":"자, 명품을 드세요","slug":"craft-008","parentSlug":"archive","index":15,"date":"May 2023","media":[{"title":"Column","slug":"column"},{"title":"Weblink","slug":"weblink"},{"title":"★","slug":"bookmark"}],"credits":[{"name":"Joe Scanlan (with Neal Jackson), “Please, Eat the Daisies,” Art Issues (January/February, 2001)","url":"","id":"0"},{"name":"박활성 옮김(워크룸 프레스, 2013)","url":"https://workroompress.kr/","id":"1"}],"featuredMedia":[],"shortNote":"Please, Eat the Daisies","shortNoteKo":"","hasSrc":true}]}