Script 01) 00:01:00 - 00:03:14
CHAPTER 1 FLYING 나는 나는 I 팅커벨 TINKER BELL THINK ABOUT 생각해
THE RARE JAY IS IN THE IMAGINATIVE ∆ GERARD LUCAS IS IN THE REAL WORLD
WHILE I AM THERE / WHILE I AM THERE
I AM / I AM
GEAI RARE LUK AS / GERARD LUKAS
GEAI RARE / GERARD
GEAI / RARD
JAY / RARE
LUK AS / LUCAS
LUK / AS
LOOK / US
Script 02) 00:10:05 - 00:11:05
sale assistanat
assistanat politique
assassinat politique
sale assassinat
salle assassinat politique
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In this experimental performance film, Hani Gimna intersects how a historical neurodivergent figure named Gérard Lucas experiences and handles language with the process of an AI image generator creating images. Both practices have in common that the mediating role of the mediums takes priority over the meaning. She looks at the performance, which is mediated by choreographed camera movements and act of filming, through the lens of Gérard and AI.
Gérard experiences language as a sensation of voices echoing in his head. Gérard broke the imposed sentences(auditory hallucinations, spontaneous thought) down into phoneme units, then changed the places of each word or converted them into other words with similar pronunciation and form, reassembling the sentences into ones with completely different meanings. On the other hand, based on the GAN model, the AI image generator does not divide the image into units recognizable by humans in terms of meaning but divides the image into pixels. What is created by this process is not a single completed image, but an endless chain of similarities connected to each other imminently.
To think about the performance mediated by the camera through both Gérard's poetic practice and the way the AI image generator handles images is none other than to reflect on the configuration of the elements that make up the performance and to ask practical questions such as how one should adjust the aesthetic stakes of those elements within their interrelationships. The conventional dynamic between camera person and performers is reversed, the roles between technician-performers are switched, and The correlation between filming and being filmed is entangled. Through this, she hopes this piece will become a battleground where what its components express and the materiality of those components alternately pulsate.
"},"id":"10e07ffe-edc5-4f11-9282-c6346d788380","isHidden":false,"type":"text"}],"id":"1a87149a-61dd-49da-9157-ecc7d4238afe","width":"1/2"},{"blocks":[{"content":{"text":"[Credits]
Directed by Hani Gimna, 2023, Köln, Germany
DOP : Jiyeon Woo
1st Assistant of Director : Mikkel Haynes Dahlberg Hansen
Project Coordinator : Aro Han
3D Typography Animation : Li-an Hong
Music : Thea Soti
Physical Director, Performer : Jimin Seo
Costume design : Pax00100
B Camera operator, Performer : Lukas Soboll
1st Assistant of Camera, Performer : Ráhel Eckstein-Kovács
Focus puller : Paul Hüpel
Dolly grip, Performer : Chris Todd
Gaffer, Performer : Juan Francisco Rodriguez
Boom operator, Performer : Jan Leonid Karger
Best boy : Sebastian Jaimes
Electrician : Viktoria Kubitza
Lighting crew : Erin Hong
Set construction : Deniz Soylu, Sepp Liebisch
Re-shoot Assistant of Director: Seong Min Yuk
Re-shoot Assistant of Director: Hey Sun Jung
Re-shoot Camera Operator : Guram Geguchadze
Re-shoot performer : Léo Beaudoin
Audio system operator, Sound recording : Ting Chun Liu
Sound recording : Jazmin Rojas Forero
Colorist : Boris Andrejevic
Hair stylist : Eva Von Sichart
Key makeup artist, Sound mixing : Kimmy yong hyuk Kim
Make up artists : Yoonah Song, Eunji Kim , Seongen Yoo , Hyunji Seo, Hyunju Lee
Props master : Dagmar Buchenthal
Catering : Mengting Xing, Tanja Licheuskaya, Aida Alimadadi, Ivonne Sheen Mogollón, Caroline Weyers
Transportation : Juho Lee
Sound Design : Joreng Jung
Translation advice : Mathild Hawkins, Jong Hun Park